Guest Post: Time Travel Romance and Chocolate Chip Cookies with Cj Fosdick

Today I’m delighted to welcome Wild Rose sister Cj Fosdick to the blog.  Here she is to talk a bit about her heroine in her Accidental series, the first of which is  on sale now for 99 cents, and to share her favorite Victorian era recipe for chocolate chip cookies. Take it away, Cj!

Cookies as Poker Chips?

Authors often share a brain with their heroines.  My favorite heroine, Jessica Brewster, is taller and slimmer than me, but we both have the same red hair, brown eyes, penchant for drama and taste for cookies. When Jessica participates in a living history tea party at Old Ft. Laramie with her late grandmother’s mysterious teacup, she never imagined she would actually become living history—in the shoes of her look-alike great great grandmother.

Fending off her ancestor’s charismatic first husband and raising her nine year old great grandmother are only two of the challenges she faces in 1886 while learning to cook, launder, and survive the bias and dangers of homestead life in Wyoming.  Her charade in The Accidental Wife grows complicated when the transformative power of love takes hold, and her ancestor’s wayward brother shows up with dark secrets of his own. In a cabin poker game, Jessica offers her famous chocolate chip cookies as poker chips.  (Since chocolate chips were not invented until 1937, she finds a way to improvise.)

Baking anything in a cast iron woodstove is a challenge to a well-educated single woman of the 21st century who often relied on take-out or the convenience of popping frozen meals into a microwave. Woodstoves couldn’t regulate baking temperatures well enough to produce cookies, but creativity is also the mother of pre-invention in a time slip. Jessica’s version of our most famous cookie uses a pocket watch and broken bits of chocolate bars bought at the Ft. Laramie trading post. In the end, Jessica’s ingenuity wins love and legacy in the poker game of life.

 

Jessica’s 1886 Chocolate Chippers

Since chocolate chips were not invented until 1937, time-traveler Jessica Brewster in “The Accidental Wife”
improvises this recipe found in her ancestor’s 1886 cookbook!

1 c. butter                               
1 ½ c. sugar
3 eggs
½ t. baking soda dissolved in a little warm water
2 ½ c. flour                             
Few drops of vanilla
Pinch of salt, nutmeg
3 or more chocolate bars  (raisins optional )

Add ingredients in order,  creaming first two.
Break up chocolate bars into about half the size of a fingernail & fold in. Refrigerate  dough.   
Bake about 10 min. @350 on baking sheets lined with parchment paper until edges brown.

*******************************************************************************************************

 

The Accidental Wife began life as an award-winning short story. The Accidental Stranger is the sequel to Jessica’s timeless journey with “…a fanciful twist on its genre,” according to Kirkus Reviews. Until August 31, the eBook of The Accidental Wife will be on sale for the first time at $0.99 at most online bookstores.

Amazon
Wild Rose Press
Website   
Facebook 
Connect with Cj in her monthly Newsletter  for other recipes & special offers!

 

 

 

Tips for Attending RWA’s National Conference

So I’m a wee bit embarrassed at how long it’s been since I posted on the blog.  I’ve been buried in a novella–you wouldn’t think a 30,000 word book would take me so long to write, but alas. I am easily distracted.

Lately, I have been distracted by anticipation. I have been getting ready for RWA’s Annual Conference in Orlando next week. Workshops have been chosen, hair done, toes polished, fancy dresses purchased, and culinary path through Epcot plotted–seriously, the food in France is to die for.

If you are a romance writer and you haven’t been to Nationals, you must try to go at some point. Although it’s absolutely exhausting for extroverts and introverts alike, the creative energy is incredible. There are workshops on just about every writing-related topic under the sun, and opportunities to meet and mingle with favorite authors. And let’s not forget the free books. There are opportunities to pitch your manuscripts to literary agents and editors from all the major romance publishers.

If you’re a first timer this year, I’d suggest you keep a few things in mind:

  1. Wear comfortable shoes. You will walk. A lot.
  2. Go to the First Timers Orientation. I didn’t, but I probably should have.
  3. Use the RWA17 App on your phone. It will make it a lot easier to figure out what you’d like to attend and where you’re supposed to be at any given time.
  4. Remember that everyone is friendly! Although I know this is hard as hell for an introvert (like me), don’t be afraid to walk up to someone whose name you recognize and say hello. My first RWA National experience was in New York two years ago. When I was checking into the hotel, I spotted historical author Mia Marlowe standing at the desk beside me. I told her I loved her books and she stopped what she was doing (to the annoyance of the clerk checking her in) to give me a huge hug.
  5. Go to the book signings offered by publishers. You can meet your favorite authors, and they will give you a signed book for free. The most popular authors will have long lines, so while you wait for those lines to die down, visit the others. You may discover a new favorite and you just might make their day.
  6. When choosing between two workshops at the same time, go to the one that’s not recorded (there are a few), or to the one with conference presenters you’d like to talk to in person. Recordings of the entire conference will be available for sale, or afterwards you can choose individual workshop recordings to purchase and download on the RWA website.
  7. Remember to take breaks. It’s so much fun, but it can be exhausting for a writer who’s used to living in her own head. If you’re overwhelmed. go hide in a corner with a book, go back to your room, take a swim. Remember that workshops are recorded, so you won’t miss anything. No one will think any less of you, because many of us will be doing the exact same thing.
  8. If you have a manuscript ready to go, pitch! It’s terrifying, but it’s good. If you didn’t sign up for a pitch session ahead of time, fear not. Slots usually open up on pitch day, and you can grab one of them.
  9. Google “RWA First Time” for more articles on what to expect.
  10. And if you see me, say hi. I would love to meet you!

Cooking Up a Book

I’ve been slacking on the blog lately, as all my words have been going into a prequel novella I’m writing, featuring the parents of the hero in Stirring Up the Viscount. I’ve also been trying not to be a total slacker in my critique group, which is a bit easier said than done. And since Top Chef and Chopped are now on Hulu, I’ve been binge watching (and cooking) like a madwoman.

This weekend my in-laws are in town and we had friends over for dinner last night. I made an insanely good cherry pie bar thingy that I will probably never be able to duplicate because I veered so far from the original recipe (although I’m working on writing down the recipe so I can come close). I’d show you a picture, but I didn’t think to take one, and since the entire 9″x 13″ pan was consumed last night, there’s nothing left to photograph.

As I sit here reflecting on what to make for breakfast (this cinnamon scone bread is a distinct possibility), it occurs to me that cooking is a bit like writing. Some cooks use recipes, others do not, just as some writers plot and others fly by the seat of their pants. Even if you start with a recipe, sometimes, as with my cherry pie thingy, your imagination (or a desire not to use a full pound of butter) takes you on another course and you end up with a different product. Sometimes it’s better than the original, and sometimes not.

 

Things can go anywhere from slightly wrong (my baked beans last night were slightly undercooked because there wasn’t enough liquid in the pot) to disastrous (I made gluten free English muffins once–my son refers to them as “those hockey pucks Mom made”), like stories that veer off course. There are times when you can fix them, but other times you need to admit defeat and chuck the entire steaming mess into the trash.

Cooking involves tweaks along the way–a little more salt here, a splash of liquid there–just as a book does–a few lines of description here, tightening up language there. And the finished product, even if it looks luscious and is the most amazing thing you’ve ever created, won’t be loved by everyone.

I used to get pissed when my family didn’t like something I slaved over in the kitchen–usually at myself, but occasionally at them when they were so obviously wrong. 🙂 A critique partner’s negative comment or a bad review can get under my skin. As I’ve gotten older, I’m learning to accept this. Not everyone will love what you do. Sometimes even you hate what you create. It doesn’t mean that it’s not good, or that it won’t provide nourishment for body or soul.

But enough philosophizing. Time to make breakfast!

 

 

Historical Book Blast Friday: Romance on the High Seas

It’s been awhile since I’ve done a book blast, so I am pleased to get back in the game with the new boxed set featuring my friend and NEORWA sister, Chloe Flowers. Just released, Romance on the High Seas is a fabulous collection of pirate stories by best-selling authors. Chloe will also give a pirate bandana and signed book to a randomly selected commenter. You can also win a Regal gift card so you can keep the pirate spirit alive with the new Pirates of the Caribbean movie, Dead Men Tell No Tales, which releases May 26.

ROMANCE ON THE HIGH SEAS

The Pirate’s Debt by National Best-selling Author Katherine Bone: An earl-turned pirate is ordered by his benefactor to find an adventurous young runaway and return her home.To do so, he must retrieve her without being discovered by the most ruthless pirate hunter on the seas: her brother.

Dead Man’s Kiss by Award Winning Author Jennifer Bray-Weber: Eight weeks. That’s all pirate captain Valeryn Barone has to escort a tempting naturalist untouched across the Caribbean or face the gallows. Can he resist the beauty who’s fallen for him? Does a dead man walking even have a chance?

The Black Morass by USA Today Bestselling Author Barbara Devlin: In exchange for a chance at redemption and pardons for his crew, Jean Marc Cavalier accepts a pact that could result in liberty or death, if only he can survive the terms, but at least he will be free.

Pirate Heiress by Award Winning Author Chloe Flowers: Captain Conal O’Brien has already lost control of his ship to the most unlikely band of pirates sailing the seas. If he’s not careful, he’s going to lose his heart to a notorious lady pirate determined to destroy both.

My Lady Pirate by NY Times Bestselling Author Danelle Harmon: The sea delivers a handsome castaway to Pirate Queen Maeve Merrick’s island. But her handsome prisoner harbors secrets dark enough to change the fates of nations and threatens their new found love.

Captivated by the Captain by USA Today Bestselling Author Amanda Mariel: What happens when an American shipping company heiress crosses paths with a pirate? Can two people whose life paths are at odds find common ground?

Carried Away by Kamery Solomon: After falling through time and being forced to join a pirate crew, Mark Bell falls in love with his fellow time traveler, Samantha. She’s a woman he can’t have, though. Will their presence in the past alter the future they know and love?

To learn more about any of the authors and their stories, click on their names above or check out the High Seas Facebook page. And to buy Romance on the High Seas, visit these retailers:

Amazon * B&N * iBooks Kobo 

Although I’d love to post excerpts from all of them, this post would get crazy long. Since I know Chloe the best, I’ll post this delicious excerpt from Pirate Heiress:

Stevie swallowed and gripped the pistol handle more firmly. Her arm was beginning to tire from holding it for so long, but she didn’t dare lower it. The mountain of a man in the tub looked as if he could crush her head like a grape with one hand, and her young cousin’s with the other one. More often than not, she could look an average man straight in the eye. However, with this one, she doubted her head would reach his nose.

The man in the tub cocked his brows, then his eyes narrowed before sliding down to her soft doeskin boots and back up again. She should have stayed more in the shadows; she might have appeared a bit more intimidating that way.

“Relinquish your freedom and possessions,” she said, barely able to keep the tremor from her voice. Her gaze paused at the gold ring on the man’s finger. If they were going to become pirates, she might as well start acting like one. She took a deep breath and drew her shoulders back a little.

“Beginning with your ring,” she said, holding out her hand. The man’s jaw clenched and the knuckles gripping the tub’s edge whitened. What thoughts were flying around in his head? He was contemplating his chances of overpowering her and taking her pistol; she could see that in the way his gaze shifted back and forth between her and her cousin, Remi. If he had a weapon, and if it had been a one-on-one situation instead of one against two (with guns), he likely wouldn’t have paused to contemplate it this long. He would have defended himself by attacking them. And he’d have won. Even now, she sensed he was still calculating his odds.

She eased a step back, careful to keep her pistol well within a lethal range. “Please don’ t try it,” she said. “I’ d prefer to save my shot.” She was far from her cozy little room off the kitchens of her brother’s gaming house. Uncle Bernard had given her a brief lesson on managing a pistol, but it still terrified her to hold it.

His eyes widened and his brows raised in surprise. She’ d been right in her assumptions, then. She usually was. Her intuition annoyed her brothers no small amount, and they always avoided her when they wished their thoughts to remain…theirs. Only one of them could hide from her, but he was a gambler and so it was expected, otherwise he wouldn’t be a very good gambler, would he?

The man twisted the ring from his finger and tossed it to her. She caught it and placed it on the only finger it would fit—her thumb. “Get dressed,” she said, with as much authority as she could muster.

He slowly stood with the oily movement of a cat as he reached for a linen rag. Stevie felt her eyes widen. She was wrong. Very wrong. The top of her head would barely reach his chin, let alone his nose. Wide, thick shoulders took up most of the space in the galley. The muscles across his shoulders rippled as he moved. A long scar trailed from the top of his shoulder to the middle of his rib cage. A fighting man. A very strong, very muscular, very handsome, very naked, fighting man.

 

Why So Many Dead Bodies?

I’ve been sick for a few days with a nasty head cold.  Sitting in bed with the dogs and my iPad for company, I’ve been thinking about a question readers sometimes ask me: why do so many people die in your books?

In truth, not that many people die in my books, but there are definitely a few, and I suppose for romance the number is a bit surprising. The reasons for their deaths are twofold: 1. death can be a useful literary device; and 2. people died in Victorian times. A lot of people.

Although the mortality rate fell during the course of the Victorian era (deaths per 1,000 people per year in England and Wales fell from 21.9 from 1848–54 to 17 in 1901, compared to just over 9 in 2015), sickness and death were regular visitors to Victorian communities, and overall, mortality rates were higher for women than men.  The most common cause of death: tuberculosis, also known as consumption, which caused about 25% of all deaths during this time period. Other common diseases were cholera, influenza, smallpox, typhus, typhoid (the disease thought to have killed Prince Albert), scarlet fever, and syphilis.

In 1858, raw sewage flowed in the Thames, the smell so intolerable it was feared the stench alone would kill Members of Parliament working in their chambers alongside the river. London and other cities, largely because of these conditions, were far less healthful than the country, and the poor were impacted in greater numbers than the middle and upper classes.

 

Although vaccination for smallpox became available in the 18th century, there were few treatments available for any of these diseases until the discovery and widespread use of antibiotics in the 20th century. Cholera, a waterborne disease, killed over 53,000 in 1849. Scarlet fever killed more than 20,000 in 1840. Those who sickened but did not die in a given outbreak were left weakened and susceptible to being carried off by the next illness, which often occurred at nearly the same time as the first outbreak.

 

It is hard now to comprehend the rates at which people died in the Victorian era. My cold is making me miserable but it’s unlikely to carry me off, and even if I do get very sick, two of the best hospitals in the country are less than five miles away. The average Victorian, no matter what class, could not say the same.

I’ve touched on the Victorian obsession with death in a previous post, and when you see the high mortality rates of the period, it’s slightly more understandable. Although I don’t think anything really justifies creepy post-mortem photography.

 

 

Sources:
https://en.wikipedia.org/wiki/Victorian_era#Mortality_rates
http://www.telegraph.co.uk/news/health/12158930/Biggest-annual-rise-in-deaths-for-almost-fifty-years-prompts-warnings-of-crisis-in-elderly-care.html
http://www.ehs.org.uk/press/different-death-rates-of-men-and-women-in-victorian-england
https://www.bl.uk/victorian-britain/articles/health-and-hygiene-in-the-19th-century
http://www.geoffsgenealogy.co.uk/other-articles/life-death-in-the-19th-century/
http://www.victorianweb.org/science/health/health10.html

Trying New Things

So for the last couple of months, I’ve been querying literary agents for my new series. Although I’ve had some interest, I’ve racked up quite a few rejections. The most recent one, a kick in the teeth disguised as a pleasant form rejection, arrived Friday night. Although some writers prefer personalized rejections, I actually prefer the form ones. With them, you can preserve the illusion that they liked the book but it just isn’t right for them, instead of knowing for a fact that they hated it. I haven’t thrown in the towel yet, but I admit my enthusiasm for completing the second and third books in the series is waning the longer the process goes on. It’ll come back, I’m sure, but for now, I’m going to focus on other things to get the creative juices flowing again.

Ever since I was in England last fall, a new series has been percolating in my brain. It’s not a romance, although it will have romantic elements. It’s a cozy mystery set near Keswick in the northern Lake District, right about here:

When you write historicals, one of the most important decisions you make is deciding the time period. Victorian era is a given, but it did last a very long time. I like the middle of the era–1860s/70s. It still has vestiges of the Regency, when people dressed for dinner and wore elaborate gowns, but it’s also hurtling toward the 20th century. Railways are popping up–trains arrived in Keswick in 1865–and society is changing. 1869 saw the opening of the first residential women’s college in England, in 1870 married women gained the right to own property and elementary education was established, in 1871 trade unions were legalized.

I decided to set my series in 1870. The lakes are a popular tourist destination, and the new railway makes it easier to get there. Endless opportunities for new characters, which is essential for a cozy. I’ve uncovered maps and contemporary guidebooks (you may recall Mr. Black from my recent post about Skye, who also wrote a “Picturesque Guide” to the English Lakes in 1870) to get a feel for the area during the time period.

The next step, at least for me, is characters. I usually start with either a look, a name, or an occupation. My new heroine is Cassandra, and she closely resembles actress Emily Blunt. She’s a longtime widow with a teenage son, and runs a farm and a tea shop at the foot of Walla Crag. (It’s inspired by an actual place that offered salvation–in the form of tea, cake, and a bathroom, not necessarily in that order–after a long day of hiking. Should you ever be in the vicinity, do stop in!)

Anyway, her love interest is the local constable whose name I have yet to determine–feel free to offer suggestions–but he looks a bit like David Boreanz. Cassandra’s childhood friend, he’s back in Keswick after a stint as a policeman in Manchester, nursing the broken heart caused by the recent death of his wife.

Cozies have a reasonably large supporting cast of characters, so I am working on those. I also have the resident pet AND the dead body lined up, but you’ll have to wait for the book to meet them. 🙂

I’m going to get to work–I have quite a few characters to develop, after all, not to mention the plot–so I will leave you with a few questions I’m curious about:

Writers, how do you start a new book (or series of books)? Do you start with setting and move from there, or with characters? Or do you focus on plot first? How do you decide when and where to set your books?

Readers, do you like small town settings or cities? What kinds of characters do you like to see? Do you picture them in your head as you read, as I do when I write them, or is their appearance unimportant to you?

 

Over the Sea to Skye

If you are a regular reader of my blog, you may remember my last post, in which I mused about which of several settings I should choose for the next book. Perhaps subconsciously influenced by this year’s RITA historical finalists–many of which seem to have involved dukes and Scotland–I did opt to send my duke to the Isle of Skye. In case you were wondering, it’s off the northwest coast of Scotland, very far away from the ballrooms of London:

One of the things I like best about setting my books in the Victorian era is that it is very easy to get my characters from one place to another, compared to the Regency period. Trains criss-crossed the country, allowing people to move with relative ease from London to Glasgow, Perth to Cornwall.

Unfortunately, trains did not get anywhere near Skye until 1897, so the other day I spent hours trying to figure out how my intrepid hero–a city boy who hates to travel–would journey from southern Scotland to Skye. The almighty Google revealed two guidebooks: Black’s Picturesque Tourist of Scotland, Ninth Edition (1851), and Anderson’s Guide to the Highlands and Islands of Scotland (1850).

Although it was possible to take a steamer from Glasgow directly to Skye (a fact I discovered only after a day spent mapping the picturesque route, naturally), the guidebooks recommended the following route to Skye (in the summer, of course) for those who wanted to take in the scenery:

Loch Lomond. Photo by Patrick Mackie, via Wikimedia Commons.

Day 1:  Starting in Glasgow, he’ll board a steamer and sail up (down?) the River Clyde to Dumbarton, about 14 miles.  At this point, our traveler has two options: Either a brisk 5 mile walk north to the foot of Loch Lomond, then a steamer across the loch (another 14 miles) to Tarbet. This is followed by a 1.5 mile walk to the west to Arrochar, where an inn rests on the shore of Loch Long. Alternatively, he could board a steamer at Dumbarton and sail up Loch Long directly to Arrochar, a distance of about 25 miles.

Ben Arthur, or The Cobbler. Via Wikimedia Commons.

Day 2: Being a sensible sort, our hero will ask the innkeeper to pack a nice lunch for him (unlike when my friend Helen and I set off up a mountain in Keswick, England last fall, because we were so sure we’d be done well before lunch–we weren’t). He’ll then hike around the base of The Cobbler to Cairndow on Loch Fyne, a distance of 12 miles. From there, he could hop on a ferry across the loch to Inveraray (6-1/2 miles), or walk around the head of the loch (9 miles).

Inveraray Castle. Photo by DeFacto, via Wikimedia Commons.

 

Our hero will spend the night at an inn in the shadow of Inveraray Castle, the seat of the Duke of Argyle. (Of the castle, Black’s guidebook notes, “in one of the rooms is some very beautiful tapestry, which the old lady who exhibits it, states to have been ‘made by the goblins, wha’ are a’ dead now.'”) On Day 3, our hero will continue his journey overland, perhaps carrying two meals this time and a couple of snacks, for this part of the journey begins with a 9 mile hike across rugged terrain to Cladich on Loch Awe.

Loch Awe. Photo by Chris Heaton, via Wikimedia Commons.

If he is anything like me and Helen, he’ll get lost and it will take six hours rather than three, so he’ll spend the night there. If not, he’ll walk for two hours or so along the banks of the loch to Dalmally and stay there instead.

On Day 4 (or 5), he’ll set out from Dalmally on the hardest part of the journey, a 24-mile walk to Oban. Being a pathetic city-dweller, I wouldn’t be surprised if he’d have to stop somewhere along the way–fortunately there is an inn about halfway across in Taynuilt. It sits not far from the base of Ben Cruachan, the highest point in the County of Argyll.

Ben Cruachan. Photo by Grinner, via Wikimedia Commons.

 

 

 

 

From Oban on Day 6, 7, or possibly 8 (I admit I’ve lost track at this point), he’ll buy some fabulous Oban whisky and then board a steamer which will make its way up the coast, a trip that will take one or two days (possibly three, as getting through Kyle Rhea requires high tide) to Broadford on the Isle of Skye.

Broadford, Skye. Via Wikimedia Commons.

Easy peasy.

Nowadays, of course, you can travel by train nearly the entire way, then cross a bridge or hop on a ferry over the sea to Skye. I just might be inclined, however, to try to retrace the journey undertaken by thousands of adventurous Victorian tourists on my next trip across the Pond. Perhaps Helen would come with me, if I remember to bring snacks. And a good map. 🙂

Since I have mentioned my hike with Helen, I thought I’d share a couple of photos. I look far more exhausted, but in my defense I should like to point out that my picture was taken just after we hauled our middle-aged butts to the top of Walla Crag, while Helen’s was ever so kindly taken as we made our way down the other side.

Helen

Me.

A day on which I’m too lazy to write two blog posts

Happy Sunday, everyone! Today I’m over at Heart-Shaped Glasses, where I’m blogging about how I come up with settings for my novels.

Kendal Castle, Cumbria

I’ll be giving away an ecopy of one of my books to a randomly selected commenter, so stop by and say hey!

 

Would you like arsenic with that?

Happy Sunday, everyone! I’m back, finally, with a historical post.

The book I’m working on now is more mystery than romance–my penchant for killing people off in my books suggested I ought to go in the mystery direction, although so far I’ve killed off fewer people in this book than in all the others. Go figure.

Arsenic makes an appearance in the book, largely because it was hands down the most prevalent poison in the Victorian era. Believe it or not, many of the deaths from arsenic poisoning were actually unintentional. Arsenic was a component of many commonly used products, including cosmetics and soaps, fabric, and wall paper. 

Arsenic cleared the complexion of blemishes and produced the pale skin popular at the time. (Of course, they used lead too, which is another issue entirely.)

 

Arsenic was also the main component of lovely green pigments and other colors that adorned Victorian walls–wallpaper was very trendy (between 1834 and 1874, the number of wallpaper rolls produced in Britain rose by 2,615%), and the same colors were used on toys, clothing, even artificial flowers women wore in their hair.
Although doctors began sounding the alarm of the dangers of arsenic exposure in these materials in the early 1850s, they were dismissed as hysterical. It wasn’t until the demands of the market changed in the 1870s (and after Queen Victoria had all the green wallpaper removed from Buckingham Palace in 1879) that British manufacturers began to change their practices. It has even been hypothesized that Napoleon was murdered by wallpaper.

 

There was plenty of deliberate arsenic poisoning in the Victorian era as well. In 1851, Parliament passed the Sale of Arsenic Regulation Act, which required those who sold arsenic to maintain a written and signed record of sales (as we do in the U.S. now with pseudoephedrine), and it demanded that no one could sell arsenic to someone unless they knew the purchaser. It also required arsenic, with some exceptions, to be colored with soot or indigo before sale.

When I first started researching this, I discovered the 1851 act as originally written only restricted children from purchasing arsenic, but I also found several articles which noted an amendment to the law, added at the last minute, restricted women as well.  Unfortunately, I can’t find any proof of this, which is making it somewhat more challenging to write the book. I may actually have to darken the doors of my law school library. Update: Some days I’m unable to stop researching, so I found this snippet about the provision barring sales to women, which in the end was NOT included in the final legislation: “…sales would be restricted to those of full age though not, as Carlisle, the PMSA, and the Pharmaceutical Society would have preferred, to men only, the decision to discriminate against women being dropped ‘owing to the indignant remonstrances of ladies’.” Thank goodness for indignant remonstrances of ladies. 🙂  And now excuse me as I head off to rewrite three or four chapters…

James Marsh

Arsenic poisoning was so prevalent that it was one of the first compounds for which a toxicology test was created. Although a test to detect the presence of arsenic had been developed in 1775, in 1832, British Chemist James Marsh was asked to analyze a cup of coffee that had allegedly been used to poison a man. Marsh did so, but by the time of trial, the substance had deteriorated. The man, John Bodle, was acquitted. When Bodle later admitted he had actually committed the crime, Marsh was determined to develop a more stable test that could be successfully used in court. By 1836, he had done so, and the Marsh test was first used in France to convict Madame Marie LaFarge of killing her husband.

And now, just for fun, I will leave you with this clip from Arsenic and Old Lace

Sources:
http://www.historyinanhour.com/2012/09/08/the-dawn-of-forensics/
http://www.dailymail.co.uk/home/you/article-2335464/Whats-poison-Easy-buy-tasteless-lethal-tiny-doses-arsenic-regarded-perfect-murder-weapon.html
http://nymag.com/thecut/2013/12/most-dangerous-beauty-through-the-ages.html
http://hyperallergic.com/329747/death-by-wallpaper-alluring-arsenic-colors-poisoned-the-victorian-age/
http://www.legislation.gov.uk/ukpga/1851/13/contents/enacted
http://www.legislation.gov.uk/ukpga/1851/13/pdfs/ukpga_18510013_en.pdf
http://www.dailymail.co.uk/home/you/article-2335464/Whats-poison-Easy-buy-tasteless-lethal-tiny-doses-arsenic-regarded-perfect-murder-weapon.html
https://en.wikipedia.org/wiki/Marsh_test

 

Author Interview: Liz Talley

So one of the reasons I haven’t been doing much with the blog of late is because I’ve spent the last month hanging out at the Winter Writing Festival put on by the Ruby-Slippered Sisterhood.  I’ve been getting tons of writing and editing done, and it’s great fun to hang out in the chat room with other writers.

One of the writers I met there is Liz Talley. I won copies of the first two books in her Morning Glory series, and they are adorable! I did no work the day I picked up the first one since I couldn’t stop reading. Liz has a new novella in the series–Prince Not Quite Charming–which released on Valentine’s Day.

Welcome to the blog, Liz, and congratulations on your first indie publishing venture!

Tell us a bit about you. Where do you live, and how long have you been writing?

I live in North Louisiana and I’ve been writing for eleven years.

What inspired you to write this book?

I often listen to country music and one day when I was singing along to Blake Shelton’s “Boys Round Here” I felt convicted that I needed to write a good ol’ boy with a big truck and a slightly over-inflated ego. Then give him a sharp city-slicker to deal with.

What does your writing process look like? 

I’m a hybrid writer who is much more organic than relying on a spreadsheet. I like an outline and that’s about it.

What do you do when you’re not writing?

Laundry and baseball games 🙂

What are you working on now?

I’m writing on a stand-alone novel set in South Carolina involving three friends and a past mistake. I also have the last book in the Morning Glory series on the back burner and I’m also contemplating a Christmas novella – A Charming Christmas.

Who is your favorite literary hero? Heroine? Villain?

I’ll have to go with Jamie Fraser from Outlander for hero. Heroine – Bridget Jones. I think. There are so many, but I relate to her and she amuses me. But only in the first book. Not a fan of the waffling second and third ones.

How many books do you have under the proverbial bed? Will they ever see the light of day?

Two full-length Regency romances, including my Golden Heart finaling manuscript. Probably won’t ever make an appearance but that’s okay. They are very dear to me because they gave birth to what I am today.

Other than “butt in chair,” what piece of advice would you give to an aspiring author?

Protect your story. It’s yours. No one else’s so you own that and don’t change it for anyone unless he or she is a trusted editor who knows more than you do.

About Liz’s latest book:

A city girl can survive…

Or at least that’s what New Yorker Frances Genovese hopes when she agrees to stay in Morning Glory, Mississippi for a few weeks after her brother’s wedding. Though she may not know much about small-town living, she does know a thing or two about the new restaurant her brother’s building. But she didn’t bargain for a big country boy naysaying her vision. And she darn sure didn’t expect to be so attracted to the infuriating contractor. 

Clem Aiken knows two things: what it means to be a country boy and the target market for the new eatery. When he and Frances clash on her ideas, he figures there’s one thing to do – teach the sophisticated beauty what it’s like to live in a southern small town. Frances reluctantly gives Clem three days to change her mind about the restaurant design. After all, how hard can it be to bait a hook, fry chicken or go honky tonkin’?

Excerpt:

Someone cleared his throat, and she glanced up to find the man who’d poured a pitcher of water over her head a few nights ago. “You.”

“Me,” he said with a knowing grin.

“You’re Clemson Aiken?”

“At your service.” He executed a slight bow. “But call me Clem. And you’re welcome for saving your life the other night.”

Frances frowned, tapping her pen against the notepad. “Saving my life or trying to drown me?”

“You were on fire.” His brown eyes twinkled. She’d never seen eyes twinkle, but this guy had that going on. He was also tall. Six three. Or maybe six four. Tall drink of water with linebacker shoulders and a chiseled jaw. Her girl parts should be tingling, but the fact that he was a bit too full of himself put a stop to that. She’d heard the rumors about him. He was a ladies’ man, tipping girls into the back of his truck, romancing them with cheap wine and overpracticed lines. That was enough to put her off any twitch, tingle, or blip.

You can find Prince Not Quite So Charming at Amazon.

More About Liz:

A finalist in both RWA’s prestigious Golden Heart and RITA contests, Liz Talley loves staying home in her jammies writing emotional contemporary romance. Her first book starred a spinster librarian – Vegas Two Step – and debuted in June 2010. Since that time, Liz has published twenty-one more books with Harlequin, Berkeley and Montlake, reaching number one in kindle romance with her latest series. Her stories are set in the South where the tea is sweet, the summers are hot and the men are hotter. Liz lives in Louisiana with her childhood sweetheart, two handsome children, three dogs and a mean kitty. You can visit Liz at www.liztalleybooks.com or follow her on Twitter or Facebook to learn more about her upcoming books.

 

  • Archives