The Grammar Grump: Dialogue Tags

A few years ago, when the kid was smaller and far less lippy, he was obsessed with a series of children’s books. Wonderful books, with interesting story lines and well drawn characters, and there were at least fifty of them at the time. One Christmas, we got a few of them on tape and listened as we drove across the country to the grandparents’ house. Nearly every line of dialogue was followed  by a ‘said.’ When you read these books to yourself, you don’t notice them. But when they are read aloud, wow. It became a game as we all shouted ‘said!’ every 30 seconds as the book progressed.

wordle 2I was thinking of this today as I judged a contest entry. After nearly every line of dialogue, there was a dialogue tag–those words used to convey information about the speaker. But because this author had probably heard somewhere that using ‘said’ is boring, she used other words too, including: remarked, explained, asked, instructed, huffed, purred, challenged, inquired, sniffed, whispered, concurred, warned, murmured, intoned, and added. And all of those were in the first few pages. An occasional asked, explained, or whispered is fine, but one doesn’t speak and sniff at the same time–go ahead, try it. In addition, many of the tags were peppered with adverbs–softly whispered, quickly explained. I should add that this entry was otherwise quite well written, but the ridiculous dialogue tags and excessive adverbs may have ruined the author’s chance to final in the category.

So, how to fix this problem? I am not saying a writer should never use dialogue tags. They are essential to clarify who is speaking, especially if there are more than two people in a scene. But you don’t need them all the time. Try a line of dialogue followed, or preceded, by a character’s action or expression. For example:

“You must be joking.” Robert laughed at the thought.
Evelyn sneered. “You’ll see.”

When you do use a dialogue tag, keep it simple. As I noted above, I hadn’t realized the children’s book author used ‘said’ so often, because when I read her stories, ‘said’ faded into the background. It conveys the identity of the speaker without beating the reader over the head. If you want to show a speaker’s emotion, or expression, try it another way:

His smile faded. “I’m sorry.”
“I don’t care, my lord.” She shrugged and turned away.

Pick up a book by your favorite author. How do they use dialogue tags? You may be surprised when you look more closely. The following exchange is from Julia’s Quinn’s On the Way to the Wedding. The characters are discussing what it must feel like to know you’re in love:

She lifted her eyes to his, made breathless by the gravity of of her own revelations.”It’s too much,” she heard herself say. “It would be too much. I wouldn’t. . . I wouldn’t. . .”
Slowly, he shook his head. “You would have no choice. It would be beyond your control. It just . . . happens.”
Her mouth parted with surprise. “That’s what she said.”
“Who?”
And when she answered, her voice was strangely detached, as if the words were being drawn straight from her memory. “Hermione,” she said. “That’s what Hermione said about Mr. Edmonds.”
Gregory’s lips tightened at the corners. “Did she?”
Lucy slowly nodded. “Almost precisely. She said it just happens. In an instant.”

There are plenty of other posts out there that go into more detail, and even a few books. Some of the better blog posts are these:
http://www.writing-world.com/grammar/said.shtml
http://www.quickanddirtytips.com/education/grammar/how-to-eliminate-adverbs
http://www.writersdigest.com/editor-blogs/there-are-no-rules/keep-it-simple-keys-to-realistic-dialogue-part-ii
http://querytracker.blogspot.com/2012/06/using-dialogue-tags-and-punctuation.html
http://theeditorsblog.net/2013/12/04/another-take-on-dialogue-tags/

How do you feel about dialogue tags, as a reader or a writer?

 

 

 

Grammar Grump: Preposition Me, Baby!

So I expected to write a happy post today about my brilliant success at NaNoWriMo, but as with so many things in life, my expectations far outstripped my capabilities. This November, I’ve had a blog tour for a book release (hurray!), a new job (hurray!), and a nasty bacterial infection that has sapped my strength, made my eyelid swell up so much I could barely see, and generally hampered my ability to keep up with my 1,667 daily word goal (boo!).  I am now so far behind that unless I write about 2,700 words per day, I can’t catch up. I almost never say never, but that’s probably not happening.

So instead of dwelling on that, I thought I’d do a grumpy grammar post. This month’s topic: Prepositions.

What are prepositions, you ask? They are connector words that show the relationship between two other words in a sentence. (I love the graphic at right, which comes from Grammar-Monster.com–think of a preposition as anywhere a mouse could go.) For example:
My mother lives in Boston.
The Halloween candy was divided between the two boys. 
The dog ran behind the house.
The mouse lives under the stove.

Some common prepositions are above, about, across, against, along, among, around, at, before, behind, below, beneath, beside, between, beyond, by, despite, down, during, except, for, from, in, inside, into, like, near, of, off, on, since, to, toward, through, under, until, up, upon, with, within. All prepositions are accompanied by a noun or pronoun which is called the object of the preposition. In the above examples, Boston, boys, house, and stove are the objects.  Usually, although not always, the object follows the preposition.

Easy enough, right? Hmm. I had a college professor who was adamant (adamant!!) that you may not end a sentence with a preposition. Ever. So while it’s not a hard and fast rule–and some regional dialects actually do it often (“Where you at?” “Want to come with?”)–I have been conditioned to avoid it. I am so good at avoiding it, in fact, I had a really hard time coming up with examples.

No: That’s something I hadn’t thought of.
Yes: I hadn’t thought of that.
No: She’s someone I disagree with.
Yes: She’s someone with whom I disagree. Or better: I disagree with her.
No: There are some situations it makes sense in.
Yes: There are some situations in which it makes sense.

If you can’t rewrite the sentence, and moving the preposition away from the end makes the sentence sound ridiculous, leave it as is. For example, That’s behavior I won’t put up with sounds far better than That’s behavior up with I will not put, even though the latter is technically correct. Just imagine your 9th grade English teacher yelling either sentence at your class, and you’ll understand what I mean. Or consider saying At what are you looking? instead of What are you looking at? Um, no.  You’d sound absurd.

Sometimes prepositions aren’t necessary, and your writing is stronger without them. For example:
The dance will end at about eleven.  You can omit either the at or the about, depending on what you mean to say; you don’t need both.
Our house is near to the street.  The to is unnecessary.

These are examples of compound prepositions, which are made of two or three prepositions. Although the examples above show unnecessary prepositions, these are more important:
I sat in between my two friends. (I would argue that you don’t need the in, but maybe that’s just me.)
The cat ran in front of my car.

Things get more complicated when you add prepositional phrases to the mix. A prepositional phrase consists of a preposition and the object of the preposition. Some idiomatic prepositional phrases include: agree on, consist of, die from, disappointed by, enter into, and impatient with.

So how do you feel about ending a sentence with a preposition? You in? 🙂

Some resources to read more:
http://www.grammar.net/prepositions
http://www.grammar-monster.com/lessons/prepositions.htm
http://www.grammar-monster.com/lessons/prepositions_ending_a_sentence.htm
http://www.quickanddirtytips.com/education/grammar/prepositions?page=all
https://www.grammarbook.com/grammar/probPrep.asp
http://www.englishlanguageguide.com/grammar/preposition.asp
http://grammar.ccc.commnet.edu/grammar/prepositions.htm

 

 

 

 

 

The Grammar Grump: Adverbs

Ah, the adverb. The bane of editors everywhere, but I think they have their place. I love this quote about adverbs:

“Overuse at best is needless clutter; at worst, it creates the impression that the characters are overacting, emoting like silent film stars. Still, an adverb can be exactly what a sentence needs. They can add important intonation to dialogue, or subtly convey information.”  ― Howard Mittelmark, How Not to Write a Novel: 200 Classic Mistakes and How to Avoid Them–A Misstep-by-Misstep Guide

I much prefer that one to Stephen King’s famous quote in the image to the left, which seems to me to be a bit harsh. Yes, adverbs can be overused–read any work from a new writer and you will see why–but in moderation, adverbs are an essential component in writing fiction.

 

 

So, to assist you in finding that fine line between just enough and too many, here are the rules for adverbs:

Adverbs are words that describe verbs, adjectives, and other adverbs. They specify manner, when, where, and how much.

He spoke loudly to be heard over the din. 
She read the letter quickly.
It was raining yesterday.
The dog ran far.
I always eat fish for dinner. (Okay, not really.)
I have never been to Argentina.

Not all adverbs end in -ly, and you can’t always make an adverb from an adjective simply by adding -ly.

Far, fast, ever, and after are all adverbs.
I came across hyperly yesterday in something I was editing. Nope, not a word.

Naturally, there are exceptions, because this is English. (If you ask me, the road to hell is paved with exceptions to English grammar rules.)

An adjective always follows a form of the verb to be when it modifies the noun before the verb.

I was nauseous.
His efforts to be helpful were fraught with peril. 

Verbs of sense and appearance are followed by adjectives when they modify the noun before the verb.

I felt awful.
This wine tastes terrible!

What about good vs well?

It is common to reply to the question “How are you?” with “I’m good.” Others respond with “I’m well.” (I once had a client from Russia who always responded with “Thank you, I am nice.” It was such a lovely phrase, and he was indeed such a nice man, I was very sad when he learned it was technically incorrect and switched to “I am fine.”)

Anyway. Which of these is correct? Both, actually, although well should only be used when you are referring your state of health. Check out this post by The Grammar Girl, or this one from GrammarBook for the reasons why.

Bad vs. badly?

Do you feel bad or badly? Bad is actually correct, because as noted above, you should use an adjective when it follows a verb of sense or appearance. Using badly would imply you are not very accomplished at feeling, which might be true but probably isn’t what you meant. Check out this humorous post from The Grammar Girl (again) for a better explanation, and note especially her comment that an easy way to determine which one to use is to substitute the word am for feel (or, presumably, for another sense/appearance verb). If it sounds funny using am, use the other one. For example:

I feel badly.
I am badly. Um, no.
I look bad.
I am bad. Okay.

Adverbs in dialogue tags

These show up entirely too often in the work of new writers. Adverbs in dialogue tags can be a sign of telling rather than showing. For example, you can write, “OMG!” she said loudly. Loudness, however, is implied by the exclamation point, so you don’t necessarily need a dialogue tag at all, but if you really, really want one, “OMG!” she yelled would be stronger, as it would show rather than tell.

This is not to say you can never use adverbs in dialogue tags. For example, “Thank you,” she said softly is perfectly acceptable (although “Thank you,” she whispered would be better–show, don’t tell).

I do have strong feelings on dialogue tags–a 12 hour car ride to Missouri listening to Magic Tree House books on tape will change your opinion on them, trust me–but that’s a subject for another post.

For more about adverbs, check out these links:

http://www.quickanddirtytips.com/education/grammar/how-to-eliminate-adverbs
http://writinginwonderland.blogspot.com/2011/04/annoying-adverbs.html
http://www.english-grammar-revolution.com/list-of-adverbs.html
https://owl.english.purdue.edu/owl/resource/537/02/
http://writedivas.com/quick-tips-adverbial-dialogue-tags/
http://blog.karenwoodward.org/2014/08/using-adverbs-in-dialogue-tags-matter-style-or-sign-of-timidity.html

What do you think? Adverbs–friend or foe?

The Grammar Grump: Apostrophes

Ah, the apostrophe. Like the comma, it’s so little and so misunderstood. Again, I have scoured the internet looking for memes, and again, they are everywhere.

<–This pic comes from the website of The Independent–the article is entertaining.

But I digress.

 

The rules:

1.  Use the apostrophe to show possession.
Ex.: I went to Sara’s house. That is Erica’s sweatshirt. The boy’s hat is blue. The boys’ hats are blue. The Smiths’ house is down the street.

2.  Use the apostrophe to replace omitted letters in contractions.
Ex. Don’t = do not. It’s = it is. Wouldn’t = would not. ’90s = 1990s. (Note the absence of an apostrophe before the s in that last example.)

3. Use the apostrophe to form plurals of lowercase letters.
Ex. Mind your p’s and q’s. Learn your abc’s. 

These are the only times you should use an apostrophe. 

But naturally, the English language being what it is, it is not so simple, so here is some clarification on common errors and exceptions.

*Do not use an apostrophe for a word that ends in s unless you are making it a possessive.
Ex. Our year-end sales were strong.  The sale’s tomorrow. 

*For family names that end in s, the correct form of the plural is es, and the possessive plural is es’.
Ex. I am friends with the Joneses. My daughter loves to play at the Joneses’ house.

*Do not use an apostrophe to make a regular noun or a name plural.
Ex. Incorrect: Apostrophe’s are not that confusing. Correct: Apostrophes are not that confusing.  Incorrect: I know three Kim’s. Correct: I know three Kims. 

*For possessive words ending in s (or z), you can use either an apostrophe alone or an apostrophe s. Both are correct, but be consistent in the form you use. Ex. Chris’ grades were fabulous last semester. Mr. Velasquez’s dog is named Spot. 

*It’s = it is. Its is a possessive.
Ex. It’s a girl! Its name is Bob. Do not mix them up!!! Think of it this way: If you can substitute “it is,” use it’s. Easy, right?

I have seen this cartoon —->
in a number of places online, but I don’t know where it originated or I would attribute it. If anyone knows, please tell me. 🙂

Some links for more information:

An entire site devoted to apostrophes! www.badapostrophes.comBad Apostrophes - Calling out misplaced punctuation marks since 2010

This fun quiz: http://chapterbreak.net/2015/03/04/celebrate-grammar-day-with-this-fun-grammar-nerd-quiz/ (My result, in case you were wondering, was “The Pedant’s Grammarian.” I assume no one is surprised.)

 

 

https://owl.english.purdue.edu/owl/resource/621/01/

http://www.grammarbook.com/punctuation/apostro.asp

The Grammar Girl has many, many posts about the apostrophe, but here’s the first basic one: http://www.quickanddirtytips.com/education/grammar/apostrophe-catastrophe-part-one (be sure to click through to the last page to find a lovely song about the apostrophe–who knew?)

 

Grumpish about Grammar

This post is very late. I was in a super bad mood last Sunday and couldn’t think of anything I wanted to write, and I was too busy reading contest entries anyway.

Back in the spring I volunteered to serve as a first round judge in several contests. I actually love judging contests, but when I volunteered I stupidly failed to realize that all of the entries were due back in the same week. Nevertheless, I was happy to do it–it is great fun to read the entries and to help a writer (often a brand-new writer) learn a bit more about craft, and I never fail to learn something myself. Sometimes the entries are absolutely wonderful and truly a joy to read. Other times, not so much. This year, I had far more not-so-much entries than wonderful ones. Most of the entries I read had a great plot–original, interesting, and fun. Unfortunately, many of them were also riddled with errors in grammar and punctuation. Some had clearly not even been proofread, and were full of typographical errors and spelling mistakes.

As a result of this experience, I have spent the last few days wondering why writers would enter a contest without dealing with at least some of these problems. It is important to realize that a contest is, in some ways, a trial query. Most contests have agents and/or editors serving as final round judges. If you final, you get your work in front of one of them. If she likes it, she may request a partial manuscript, or even a full. And sometimes–as I can gratefully attest–an editor buys your book or an agent agrees to represent you. Why, then, would you not make your manuscript the very best it can be before submitting it? Especially because contests cost money?

Now, I will admit that the first time I entered a contest I had no idea what I was doing, and it is certainly possible that some of the writers I judged were in a similar place in their writing careers. My entry had many, many craft errors, but it had been carefully proofread. I learned a lot from the judges in that contest, and in my critiques of the entries I reviewed in the last couple of weeks, I tried to do the same for those writers.

My point here is two-fold: First, if you are an author, especially a published author, consider donating your time and expertise to juIMG_3137dge a contest. You will make a huge difference in a writer’s life, and you will learn something too.

Second, if you are a writer wishing to enter a contest, polish that manuscript! Proofread it–do not rely on spell check alone. Check your grammar. If you need to brush up on grammar rules, do so. Pick up a copy of Strunk and White. Go online–there are a lot of sites which offer help on grammar issues. For example, I like the Grammar Girl for short and sweet tips. There’s Grammarly, which scans your text for grammar and punctuation. (I’ve never used it, but it gets good reviews.) From the Write Angle has blog posts about grammar, craft, querying, and a bunch of other good stuff. Or just Google “grammar” and see what you get. Once you have these basics down, it’s much easier to focus on the craft–all those things that make you a better writer.

I’ve decided to stop whining and do something to help (hopefully). Once a month, starting next week, I’ll do a post on issues I’ve spotted in manuscripts, or things I’ve been curious about. If any of you have a grammar or craft question you’d like me to discuss, or if you’re interested in doing a guest post about your grammar pet peeve, or if you are better than I am at coming up with catchy names for my grammar posts (because honestly, who isn’t better at that than I am?), leave a comment here or drop me a line at marinmcginnis@yahoo.com.

 

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