Historical Book Blast Friday: Romance on the High Seas

It’s been awhile since I’ve done a book blast, so I am pleased to get back in the game with the new boxed set featuring my friend and NEORWA sister, Chloe Flowers. Just released, Romance on the High Seas is a fabulous collection of pirate stories by best-selling authors. Chloe will also give a pirate bandana and signed book to a randomly selected commenter. You can also win a Regal gift card so you can keep the pirate spirit alive with the new Pirates of the Caribbean movie, Dead Men Tell No Tales, which releases May 26.

ROMANCE ON THE HIGH SEAS

The Pirate’s Debt by National Best-selling Author Katherine Bone: An earl-turned pirate is ordered by his benefactor to find an adventurous young runaway and return her home.To do so, he must retrieve her without being discovered by the most ruthless pirate hunter on the seas: her brother.

Dead Man’s Kiss by Award Winning Author Jennifer Bray-Weber: Eight weeks. That’s all pirate captain Valeryn Barone has to escort a tempting naturalist untouched across the Caribbean or face the gallows. Can he resist the beauty who’s fallen for him? Does a dead man walking even have a chance?

The Black Morass by USA Today Bestselling Author Barbara Devlin: In exchange for a chance at redemption and pardons for his crew, Jean Marc Cavalier accepts a pact that could result in liberty or death, if only he can survive the terms, but at least he will be free.

Pirate Heiress by Award Winning Author Chloe Flowers: Captain Conal O’Brien has already lost control of his ship to the most unlikely band of pirates sailing the seas. If he’s not careful, he’s going to lose his heart to a notorious lady pirate determined to destroy both.

My Lady Pirate by NY Times Bestselling Author Danelle Harmon: The sea delivers a handsome castaway to Pirate Queen Maeve Merrick’s island. But her handsome prisoner harbors secrets dark enough to change the fates of nations and threatens their new found love.

Captivated by the Captain by USA Today Bestselling Author Amanda Mariel: What happens when an American shipping company heiress crosses paths with a pirate? Can two people whose life paths are at odds find common ground?

Carried Away by Kamery Solomon: After falling through time and being forced to join a pirate crew, Mark Bell falls in love with his fellow time traveler, Samantha. She’s a woman he can’t have, though. Will their presence in the past alter the future they know and love?

To learn more about any of the authors and their stories, click on their names above or check out the High Seas Facebook page. And to buy Romance on the High Seas, visit these retailers:

Amazon * B&N * iBooks Kobo 

Although I’d love to post excerpts from all of them, this post would get crazy long. Since I know Chloe the best, I’ll post this delicious excerpt from Pirate Heiress:

Stevie swallowed and gripped the pistol handle more firmly. Her arm was beginning to tire from holding it for so long, but she didn’t dare lower it. The mountain of a man in the tub looked as if he could crush her head like a grape with one hand, and her young cousin’s with the other one. More often than not, she could look an average man straight in the eye. However, with this one, she doubted her head would reach his nose.

The man in the tub cocked his brows, then his eyes narrowed before sliding down to her soft doeskin boots and back up again. She should have stayed more in the shadows; she might have appeared a bit more intimidating that way.

“Relinquish your freedom and possessions,” she said, barely able to keep the tremor from her voice. Her gaze paused at the gold ring on the man’s finger. If they were going to become pirates, she might as well start acting like one. She took a deep breath and drew her shoulders back a little.

“Beginning with your ring,” she said, holding out her hand. The man’s jaw clenched and the knuckles gripping the tub’s edge whitened. What thoughts were flying around in his head? He was contemplating his chances of overpowering her and taking her pistol; she could see that in the way his gaze shifted back and forth between her and her cousin, Remi. If he had a weapon, and if it had been a one-on-one situation instead of one against two (with guns), he likely wouldn’t have paused to contemplate it this long. He would have defended himself by attacking them. And he’d have won. Even now, she sensed he was still calculating his odds.

She eased a step back, careful to keep her pistol well within a lethal range. “Please don’ t try it,” she said. “I’ d prefer to save my shot.” She was far from her cozy little room off the kitchens of her brother’s gaming house. Uncle Bernard had given her a brief lesson on managing a pistol, but it still terrified her to hold it.

His eyes widened and his brows raised in surprise. She’ d been right in her assumptions, then. She usually was. Her intuition annoyed her brothers no small amount, and they always avoided her when they wished their thoughts to remain…theirs. Only one of them could hide from her, but he was a gambler and so it was expected, otherwise he wouldn’t be a very good gambler, would he?

The man twisted the ring from his finger and tossed it to her. She caught it and placed it on the only finger it would fit—her thumb. “Get dressed,” she said, with as much authority as she could muster.

He slowly stood with the oily movement of a cat as he reached for a linen rag. Stevie felt her eyes widen. She was wrong. Very wrong. The top of her head would barely reach his chin, let alone his nose. Wide, thick shoulders took up most of the space in the galley. The muscles across his shoulders rippled as he moved. A long scar trailed from the top of his shoulder to the middle of his rib cage. A fighting man. A very strong, very muscular, very handsome, very naked, fighting man.

 

Why So Many Dead Bodies?

I’ve been sick for a few days with a nasty head cold.  Sitting in bed with the dogs and my iPad for company, I’ve been thinking about a question readers sometimes ask me: why do so many people die in your books?

In truth, not that many people die in my books, but there are definitely a few, and I suppose for romance the number is a bit surprising. The reasons for their deaths are twofold: 1. death can be a useful literary device; and 2. people died in Victorian times. A lot of people.

Although the mortality rate fell during the course of the Victorian era (deaths per 1,000 people per year in England and Wales fell from 21.9 from 1848–54 to 17 in 1901, compared to just over 9 in 2015), sickness and death were regular visitors to Victorian communities, and overall, mortality rates were higher for women than men.  The most common cause of death: tuberculosis, also known as consumption, which caused about 25% of all deaths during this time period. Other common diseases were cholera, influenza, smallpox, typhus, typhoid (the disease thought to have killed Prince Albert), scarlet fever, and syphilis.

In 1858, raw sewage flowed in the Thames, the smell so intolerable it was feared the stench alone would kill Members of Parliament working in their chambers alongside the river. London and other cities, largely because of these conditions, were far less healthful than the country, and the poor were impacted in greater numbers than the middle and upper classes.

 

Although vaccination for smallpox became available in the 18th century, there were few treatments available for any of these diseases until the discovery and widespread use of antibiotics in the 20th century. Cholera, a waterborne disease, killed over 53,000 in 1849. Scarlet fever killed more than 20,000 in 1840. Those who sickened but did not die in a given outbreak were left weakened and susceptible to being carried off by the next illness, which often occurred at nearly the same time as the first outbreak.

 

It is hard now to comprehend the rates at which people died in the Victorian era. My cold is making me miserable but it’s unlikely to carry me off, and even if I do get very sick, two of the best hospitals in the country are less than five miles away. The average Victorian, no matter what class, could not say the same.

I’ve touched on the Victorian obsession with death in a previous post, and when you see the high mortality rates of the period, it’s slightly more understandable. Although I don’t think anything really justifies creepy post-mortem photography.

 

 

Sources:
https://en.wikipedia.org/wiki/Victorian_era#Mortality_rates
http://www.telegraph.co.uk/news/health/12158930/Biggest-annual-rise-in-deaths-for-almost-fifty-years-prompts-warnings-of-crisis-in-elderly-care.html
http://www.ehs.org.uk/press/different-death-rates-of-men-and-women-in-victorian-england
https://www.bl.uk/victorian-britain/articles/health-and-hygiene-in-the-19th-century
http://www.geoffsgenealogy.co.uk/other-articles/life-death-in-the-19th-century/
http://www.victorianweb.org/science/health/health10.html

Trying New Things

So for the last couple of months, I’ve been querying literary agents for my new series. Although I’ve had some interest, I’ve racked up quite a few rejections. The most recent one, a kick in the teeth disguised as a pleasant form rejection, arrived Friday night. Although some writers prefer personalized rejections, I actually prefer the form ones. With them, you can preserve the illusion that they liked the book but it just isn’t right for them, instead of knowing for a fact that they hated it. I haven’t thrown in the towel yet, but I admit my enthusiasm for completing the second and third books in the series is waning the longer the process goes on. It’ll come back, I’m sure, but for now, I’m going to focus on other things to get the creative juices flowing again.

Ever since I was in England last fall, a new series has been percolating in my brain. It’s not a romance, although it will have romantic elements. It’s a cozy mystery set near Keswick in the northern Lake District, right about here:

When you write historicals, one of the most important decisions you make is deciding the time period. Victorian era is a given, but it did last a very long time. I like the middle of the era–1860s/70s. It still has vestiges of the Regency, when people dressed for dinner and wore elaborate gowns, but it’s also hurtling toward the 20th century. Railways are popping up–trains arrived in Keswick in 1865–and society is changing. 1869 saw the opening of the first residential women’s college in England, in 1870 married women gained the right to own property and elementary education was established, in 1871 trade unions were legalized.

I decided to set my series in 1870. The lakes are a popular tourist destination, and the new railway makes it easier to get there. Endless opportunities for new characters, which is essential for a cozy. I’ve uncovered maps and contemporary guidebooks (you may recall Mr. Black from my recent post about Skye, who also wrote a “Picturesque Guide” to the English Lakes in 1870) to get a feel for the area during the time period.

The next step, at least for me, is characters. I usually start with either a look, a name, or an occupation. My new heroine is Cassandra, and she closely resembles actress Emily Blunt. She’s a longtime widow with a teenage son, and runs a farm and a tea shop at the foot of Walla Crag. (It’s inspired by an actual place that offered salvation–in the form of tea, cake, and a bathroom, not necessarily in that order–after a long day of hiking. Should you ever be in the vicinity, do stop in!)

Anyway, her love interest is the local constable whose name I have yet to determine–feel free to offer suggestions–but he looks a bit like David Boreanz. Cassandra’s childhood friend, he’s back in Keswick after a stint as a policeman in Manchester, nursing the broken heart caused by the recent death of his wife.

Cozies have a reasonably large supporting cast of characters, so I am working on those. I also have the resident pet AND the dead body lined up, but you’ll have to wait for the book to meet them. 🙂

I’m going to get to work–I have quite a few characters to develop, after all, not to mention the plot–so I will leave you with a few questions I’m curious about:

Writers, how do you start a new book (or series of books)? Do you start with setting and move from there, or with characters? Or do you focus on plot first? How do you decide when and where to set your books?

Readers, do you like small town settings or cities? What kinds of characters do you like to see? Do you picture them in your head as you read, as I do when I write them, or is their appearance unimportant to you?

 

Over the Sea to Skye

If you are a regular reader of my blog, you may remember my last post, in which I mused about which of several settings I should choose for the next book. Perhaps subconsciously influenced by this year’s RITA historical finalists–many of which seem to have involved dukes and Scotland–I did opt to send my duke to the Isle of Skye. In case you were wondering, it’s off the northwest coast of Scotland, very far away from the ballrooms of London:

One of the things I like best about setting my books in the Victorian era is that it is very easy to get my characters from one place to another, compared to the Regency period. Trains criss-crossed the country, allowing people to move with relative ease from London to Glasgow, Perth to Cornwall.

Unfortunately, trains did not get anywhere near Skye until 1897, so the other day I spent hours trying to figure out how my intrepid hero–a city boy who hates to travel–would journey from southern Scotland to Skye. The almighty Google revealed two guidebooks: Black’s Picturesque Tourist of Scotland, Ninth Edition (1851), and Anderson’s Guide to the Highlands and Islands of Scotland (1850).

Although it was possible to take a steamer from Glasgow directly to Skye (a fact I discovered only after a day spent mapping the picturesque route, naturally), the guidebooks recommended the following route to Skye (in the summer, of course) for those who wanted to take in the scenery:

Loch Lomond. Photo by Patrick Mackie, via Wikimedia Commons.

Day 1:  Starting in Glasgow, he’ll board a steamer and sail up (down?) the River Clyde to Dumbarton, about 14 miles.  At this point, our traveler has two options: Either a brisk 5 mile walk north to the foot of Loch Lomond, then a steamer across the loch (another 14 miles) to Tarbet. This is followed by a 1.5 mile walk to the west to Arrochar, where an inn rests on the shore of Loch Long. Alternatively, he could board a steamer at Dumbarton and sail up Loch Long directly to Arrochar, a distance of about 25 miles.

Ben Arthur, or The Cobbler. Via Wikimedia Commons.

Day 2: Being a sensible sort, our hero will ask the innkeeper to pack a nice lunch for him (unlike when my friend Helen and I set off up a mountain in Keswick, England last fall, because we were so sure we’d be done well before lunch–we weren’t). He’ll then hike around the base of The Cobbler to Cairndow on Loch Fyne, a distance of 12 miles. From there, he could hop on a ferry across the loch to Inveraray (6-1/2 miles), or walk around the head of the loch (9 miles).

Inveraray Castle. Photo by DeFacto, via Wikimedia Commons.

 

Our hero will spend the night at an inn in the shadow of Inveraray Castle, the seat of the Duke of Argyle. (Of the castle, Black’s guidebook notes, “in one of the rooms is some very beautiful tapestry, which the old lady who exhibits it, states to have been ‘made by the goblins, wha’ are a’ dead now.'”) On Day 3, our hero will continue his journey overland, perhaps carrying two meals this time and a couple of snacks, for this part of the journey begins with a 9 mile hike across rugged terrain to Cladich on Loch Awe.

Loch Awe. Photo by Chris Heaton, via Wikimedia Commons.

If he is anything like me and Helen, he’ll get lost and it will take six hours rather than three, so he’ll spend the night there. If not, he’ll walk for two hours or so along the banks of the loch to Dalmally and stay there instead.

On Day 4 (or 5), he’ll set out from Dalmally on the hardest part of the journey, a 24-mile walk to Oban. Being a pathetic city-dweller, I wouldn’t be surprised if he’d have to stop somewhere along the way–fortunately there is an inn about halfway across in Taynuilt. It sits not far from the base of Ben Cruachan, the highest point in the County of Argyll.

Ben Cruachan. Photo by Grinner, via Wikimedia Commons.

 

 

 

 

From Oban on Day 6, 7, or possibly 8 (I admit I’ve lost track at this point), he’ll buy some fabulous Oban whisky and then board a steamer which will make its way up the coast, a trip that will take one or two days (possibly three, as getting through Kyle Rhea requires high tide) to Broadford on the Isle of Skye.

Broadford, Skye. Via Wikimedia Commons.

Easy peasy.

Nowadays, of course, you can travel by train nearly the entire way, then cross a bridge or hop on a ferry over the sea to Skye. I just might be inclined, however, to try to retrace the journey undertaken by thousands of adventurous Victorian tourists on my next trip across the Pond. Perhaps Helen would come with me, if I remember to bring snacks. And a good map. 🙂

Since I have mentioned my hike with Helen, I thought I’d share a couple of photos. I look far more exhausted, but in my defense I should like to point out that my picture was taken just after we hauled our middle-aged butts to the top of Walla Crag, while Helen’s was ever so kindly taken as we made our way down the other side.

Helen

Me.

A day on which I’m too lazy to write two blog posts

Happy Sunday, everyone! Today I’m over at Heart-Shaped Glasses, where I’m blogging about how I come up with settings for my novels.

Kendal Castle, Cumbria

I’ll be giving away an ecopy of one of my books to a randomly selected commenter, so stop by and say hey!

 

Would you like arsenic with that?

Happy Sunday, everyone! I’m back, finally, with a historical post.

The book I’m working on now is more mystery than romance–my penchant for killing people off in my books suggested I ought to go in the mystery direction, although so far I’ve killed off fewer people in this book than in all the others. Go figure.

Arsenic makes an appearance in the book, largely because it was hands down the most prevalent poison in the Victorian era. Believe it or not, many of the deaths from arsenic poisoning were actually unintentional. Arsenic was a component of many commonly used products, including cosmetics and soaps, fabric, and wall paper. 

Arsenic cleared the complexion of blemishes and produced the pale skin popular at the time. (Of course, they used lead too, which is another issue entirely.)

 

Arsenic was also the main component of lovely green pigments and other colors that adorned Victorian walls–wallpaper was very trendy (between 1834 and 1874, the number of wallpaper rolls produced in Britain rose by 2,615%), and the same colors were used on toys, clothing, even artificial flowers women wore in their hair.
Although doctors began sounding the alarm of the dangers of arsenic exposure in these materials in the early 1850s, they were dismissed as hysterical. It wasn’t until the demands of the market changed in the 1870s (and after Queen Victoria had all the green wallpaper removed from Buckingham Palace in 1879) that British manufacturers began to change their practices. It has even been hypothesized that Napoleon was murdered by wallpaper.

 

There was plenty of deliberate arsenic poisoning in the Victorian era as well. In 1851, Parliament passed the Sale of Arsenic Regulation Act, which required those who sold arsenic to maintain a written and signed record of sales (as we do in the U.S. now with pseudoephedrine), and it demanded that no one could sell arsenic to someone unless they knew the purchaser. It also required arsenic, with some exceptions, to be colored with soot or indigo before sale.

When I first started researching this, I discovered the 1851 act as originally written only restricted children from purchasing arsenic, but I also found several articles which noted an amendment to the law, added at the last minute, restricted women as well.  Unfortunately, I can’t find any proof of this, which is making it somewhat more challenging to write the book. I may actually have to darken the doors of my law school library. Update: Some days I’m unable to stop researching, so I found this snippet about the provision barring sales to women, which in the end was NOT included in the final legislation: “…sales would be restricted to those of full age though not, as Carlisle, the PMSA, and the Pharmaceutical Society would have preferred, to men only, the decision to discriminate against women being dropped ‘owing to the indignant remonstrances of ladies’.” Thank goodness for indignant remonstrances of ladies. 🙂  And now excuse me as I head off to rewrite three or four chapters…

James Marsh

Arsenic poisoning was so prevalent that it was one of the first compounds for which a toxicology test was created. Although a test to detect the presence of arsenic had been developed in 1775, in 1832, British Chemist James Marsh was asked to analyze a cup of coffee that had allegedly been used to poison a man. Marsh did so, but by the time of trial, the substance had deteriorated. The man, John Bodle, was acquitted. When Bodle later admitted he had actually committed the crime, Marsh was determined to develop a more stable test that could be successfully used in court. By 1836, he had done so, and the Marsh test was first used in France to convict Madame Marie LaFarge of killing her husband.

And now, just for fun, I will leave you with this clip from Arsenic and Old Lace

Sources:
http://www.historyinanhour.com/2012/09/08/the-dawn-of-forensics/
http://www.dailymail.co.uk/home/you/article-2335464/Whats-poison-Easy-buy-tasteless-lethal-tiny-doses-arsenic-regarded-perfect-murder-weapon.html
http://nymag.com/thecut/2013/12/most-dangerous-beauty-through-the-ages.html
http://hyperallergic.com/329747/death-by-wallpaper-alluring-arsenic-colors-poisoned-the-victorian-age/
http://www.legislation.gov.uk/ukpga/1851/13/contents/enacted
http://www.legislation.gov.uk/ukpga/1851/13/pdfs/ukpga_18510013_en.pdf
http://www.dailymail.co.uk/home/you/article-2335464/Whats-poison-Easy-buy-tasteless-lethal-tiny-doses-arsenic-regarded-perfect-murder-weapon.html
https://en.wikipedia.org/wiki/Marsh_test

 

Winter Blog Hop Day 19 – Happy Book Birthday to Me!

Today on the hop I’m featuring yours truly. 🙂  Today is release day for my third book, Tempting Mr. Jordan. I really love this book, which tells the story of Julia Tenwick (Jonathan’s little sister from Stirring Up the Viscount, all grown up). I hope you like it too! (And do scroll to the end of this post for a chance to win a Maine gift basket from me and Becky Lower!)

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Tempting Mr. Jordan

After four unsuccessful London seasons, Lady Julia Tenwick despairs of ever making a love match. With spinsterhood looming on the horizon, she and a friend set sail for America on one last adventure. When her travels take her to northern Maine, Julia meets a reclusive but handsome artist, whose rudeness masks a broken heart Julia feels compelled to mend.

Still haunted by the betrayal and death of his pregnant wife two years before, Geoffrey Jordan is determined never to risk his heart again. Certainly not with the gorgeous and impetuous aristocrat who intrudes upon his small-town solitude, and is far too similar to his late wife to tempt him to take another chance on love.

But when Julia and Geoffrey find themselves united in a reckless plan to save Julia’s friend from ruin, they discover that temptation is impossible to resist.

Excerpt:

Cranberry Cove reminded her of home, her family’s estate in Durham, where ton rules were abandoned in favor of lazy days riding, reading, caring for her pets, or playing the piano. It occurred to her that she had not played in weeks. Her fingers itched to touch a keyboard, and she flexed her hands inside her calfskin gloves. She vowed to play soon. She thought she had seen a harpsichord in the drawing room of Maria’s enormous house.

Reaching the end of the little lane on which Maria lived, she took a right onto Main Street. It consisted of several houses similar to the one in which she was staying, so she turned left onto Maple Street, which was much more interesting. There was a green grocer, a bookseller, a milliner, a tailor, a blacksmith—everything one could want in a village. The streets were clean—much cleaner than London—and the air was crisp and fresh, even if it smelled ever so slightly of fish.

Julia was staring into the newspaper office—a badly written but oddly gripping tale about missing lobster traps was plastered to the window—when she was nearly knocked off her feet.

“Oh, I beg your pardon!” She managed to right herself, wondering why she should be the one to apologize. She looked up into the hooded eyes of Geoffrey Jordan, who held a book in one hand. “Mr. Jordan!”

“Lady Julia.” He reached out to steady her, the touch of his hand on her arm causing a charge to shoot up her spine. “Please forgive me. Are you hurt?”

“Are you in the habit of running over tourists on your streets?” She freed her arm, flustered by her own reaction, and busied herself with adjusting her hat. When she regarded Mr. Jordan again, he was smirking.

“No, just the ones who stop in the middle of the street,” he said.

Julia opened her mouth to retort, but he held up a finger to silence her. “Nevertheless, I am sorry. I wasn’t paying attention. And the scintillating prose of our local newspaper could halt anyone in her tracks.”

She laughed. “It is not The Times, to be sure.”

His lips quirked up at the tips in something approaching a smile. Julia thought she hadn’t seen him do that before and found it oddly entrancing. “Where are you headed, Lady Julia?”

She forced herself to look away from his lips. “Um. Nowhere in particular. I was in need of a walk after luncheon, so I thought I would explore a bit.”

“The Universalist church, just around the corner, is particularly beautiful, and you will need to sample lobster from the establishment run by the Maclays, on the pier. It will melt in your mouth.”

The way he looked at her as he made the remark made her own mouth dry. Her cheeks burned.

“Um. Yes. That sounds lovely.” She gazed down at her feet until she collected herself. Raising her head, she found herself caught in his sights. She swallowed nervously. “Well, if you’ll excuse me, Mr. Jordan, I really must get back. Constance will be wondering where I’ve got to.” She brushed past him, her shoulder tingling at the contact with his arm.

“Lady Julia?” His tone was vaguely amused.

She stopped and turned to face him. “Yes, Mr. Jordan?”

His thin lips turned up at the corners again, and he pointed behind him. “I believe your house is that way.”

“Oh. Yes. Of course.” She willed herself not to stumble as she passed him, at least not until she’d cleared the corner.

You can find Tempting Mr. Jordan at these retailers: Amazon ~ Barnes & Noble ~ iBooksWild Rose Press.

And don’t forget to enter the giveaway for this fabulous gift basket Becky Lower and I are offering. In addition to the items pictured, Becky is offering an ecopy of her new Wild Rose novella, Love’s in the Cards!fullsizerender
a Rafflecopter giveaway

Winter Blog Hop, Day 12 – Victorian Cookies

SecretPromise_w9701_750Today’s scheduled guest is unable to be here, so I’m filling in with a Victorian era recipe for Cinnamon Cakes, which are actually cookies. I found it in Eliza Acton’s Modern Cookery, and featured them in Secret Promise. Here’s an excerpt:

Zachary was curled up in a chair in the sitting room, reading.

“Zachary,” Anna said, “I have a surprise for you.”

Zachary’s head snapped up, and he sniffed the air. “Have you been baking, Mam?”

“I have not, but Mrs. Graham has.” The woman herself appeared at the top of stairs, smiling in welcome. She removed a cinnamon cake from the bag she carried and held it out to Zachary.

Zachary leapt out of his chair. “Is that for me?” He hesitated, looking from a smiling Mrs. Graham to Anna for verification.

Anna nodded. “Yes, it’s for you. Mrs. Graham spoiled me with treats when I was young, and I have no doubt she’d very much like to spoil you, too.”

Zachary took the cake, inhaling its sweet, spicy smell before devouring it in three bites. “Thank you, Mrs. Graham. It was delicious!”

Here’s the original recipe from the 1845 edition of Modern Cookery:

CINNAMON, OR LEMON CAKES

Rub six ounces of good butter into img_4520a pound of fine dry flour, and work it lightly into crumbs, then add three quarters of a pound of sifted sugar, a dessertspoonful of pounded cinnamon (or half as much when only a slight flavour is liked), and make these ingredients into a firm paste with three eggs, or four, if needed. Roll it, not very thin, and cut out the cakes with a tin shape. Bake them in a very gentle oven from fifteen to twenty minutes, or longer, should they not be done quite through. As soon as they are cold, put them into a clean and dry tin canister, a. precaution which should be observed with all small sugar cakes, which ought also to be loosened from the oven tins while they are still warm.

Flour, 1 lb.; butter, 6 ozs. ; sugar, 3/4 lb.; cinnamon, 1 dessertspoonful (more or less, to the taste) ; eggs, 3 to 4.

Obs. Lemon cakes can be made by this receipt by substituting for the cinnamon the rasped or grated rinds of two lemons, and the strained juice of one, when its acidity is not objected to. More butter, and more or less of sugar, can be used at will, both for these and for the cinnamon cakes.

And here’s my modern variation, which is a bit easier to follow:

CINNAMON CAKES
Makes about 4 dozen large or 6 dozen small cookies

Preheat oven to 375 degrees.

6       oz. (approx 1-1/2 sticks) unsalted butter, cold, cut into cubes
1        lb      cake flour (approx. 3-1/4 cups)
1        tsp    baking powder
1/4    tsp   salt
3/4   lb      sugar (approx. 2-1/4 cups)
1        tsp    cinnamon
3        lg      eggs

img_4518Cut the butter into the flour with a pastry cutter or your fingers until the mixture resembles bread crumbs. Mix together the baking powder, salt, sugar, and cinnamon and add to the flour. Add the eggs and beat just until mixed. If the dough is too dry, add up to 1-2 tablespoons of milk, just enough so that the dough holds together.

img_4519Roll out the dough on a floured board to about 1/4 to 1/2 inch thick. Cut into rounds with a your favorite cookie cutters. Place on a baking sheet lined with parchment paper.  Sprinkle with decorating sugar (or if you really like cinnamon, use cinnamon sugar).

Bake in a 375 oven for 10-12 minutes, or until the cookies are lightly brown on the edges.

Cool on a wire rack.img_4521

Just as an FYI, I omitted the salt in one half of the dough and compared the two versions. I liked the salt version a little bit better, but my kid noticed no difference in taste–so if you’re limiting your salt intake, go ahead and try them without.

Feel free to experiment and let me know what changes you made. 🙂

Winter Blog Hop Coming Soon!

Happy almost winter, everyone! In order to celebrate the December release of my next book, Tempting Mr. Jordan, I have invited some of my author friends to join me in an advent calendar-style blog hop. Every day from December 1-25 will feature a post from a different romance author. Most of them are offering giveaways, so check back here every day for a chance to win some great prizes, including a fabulous Maine-themed gift basket from me and Becky Lower, in honor of our Maine-set books coming out this month.

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Check out this talent!
December 1: Peggy Jaeger
December 2: Anni Fife
December 3: Cynthia Blackburn
December 4: Maggie Preston
December 5: Becky Lower
December 6: Landra Graf
December 7: Becky Lower, part two!
December 8: Miranda Liasson
December 9: Jennifer Shirk
December 10: Lori Sizemore
December 11: Judy Ann Davis
December 12: Hywela Lyn
December 13: Julie Jarnagin
December 14: Lynn Crain
December 15: Nina Croft
December 16: Tricia Schneider
December 17: Judy McDonough
December 18: Tara Harlow
December 19: Marin McGinnis
December 20: Anna Durand
December 21: Barbara Bettis
December 22: Tena Stetler
December 23: Clair Brett
December 24: Danielle Haas
December 25: Merry Christmas!

And now I have about 10,000 words to go to win NaNo and four days remaining (you do the math), so I’d better get back to work…

It’s NaNovember so this will be short…

typewriter-801921_1920It’s NaNoWriMo–National Novel Writing Month–for many of us in the writing world, that crazy time of year when we are glued to our laptops for an entire month, even more antisocial than usual, vomiting at least 1667 words per day for a total of 50,000 by November 30. I’ve spent the latter part of this week catching up to the first part–Election Day put a wee hitch in my stride–but for the first time in several years I’m reasonably close to being on target to finish (knock on wood).

Although I was planning to write a futuristic dystopian I plotted during the RNC, it was far too depressing. So I’m writing a romantic historical mystery instead, and I am completely pantsing it. Other than knowing who killed the odious Clive in the very first scene, I’m playing everything by ear. This is usually a recipe for disaster for me, and trying to do it with a mystery is likely to be incredibly stupid. But I was trying to finish the last book before this one, so I didn’t have time to plot. We shall see if I still manage to get through the middle without flying off the rails, but so far the words are flowing with minimal obstruction. (Knocking again.)

Are you trying NaNo this year? How’s it going? Words flowing? Not so much? Take a little break and share!

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